Showing posts with label Lord of the Rings. Show all posts
Showing posts with label Lord of the Rings. Show all posts

Saturday, 3 April 2010

Holy Resurrection, Bat-Jesus!

Another month, another holiday, another list of ten. In honor of Easter, I have decided to take this time to celebrate my ten favorite methods of resurrection in fiction! Originally, I was going to do my ten favorite resurrected characters, but there are just too many of them. And, for those of you offended, just think: I could have done worse. I couldn't think of too many freed slaves I love to honor Passover. Only really Mammy from Gone with the Wind. Yes, Dobby counts as one, but who actually liked him? I know; no one! And then people cried all sadly when he died! But I assure you, no one would like to see him employ any of these methods.

Fakin’ It

Offenders: Laura Fairlie (The Woman in White), Madeleine Elster (Vertigo), Sinestro (Green Lantern), Laura Bristow (Alias), Aunt May (Spider-Man)

This method of resurrection is a cohort of either very strong plotting or very lazy retconning. In novels and movies, it often serves a larger purpose than simply allowing the writer the shock and dramatics of killing off a character only to use him or her later in the story. The results of the death and the discovery of the deception are the source of narrative tension and therefore the story would be weaker with an actual shuffling loose the mortal coil.

However, this method is also famous in comic books and many television shows as a way for writers to bring back characters that they were annoyed at their predecessors for eradicating. A death certificate sometimes is less valuable than a Blockbuster gift certificate (the worst of all gift certificates). The person in question could have been secretly carried away from the plane wreck or had a secret compartment in the building just as the bomb went off. The writer could be particularly creative (read: ludicrous) and fabricate reasons like “Ah! But you killed a hard-light construction of me I engineered in order to drive you further to the brink of madness!” Yes, that is a real reason used.

In short, Fakin’ It is rife with dichotomies. The recently-resurrected could have instrumented the plan or been a victim of it. It is almost certainly the case if there is no corpse but cannot be ruled out even if there is one. And, most oddly, it has simultaneously been behind some of the greatest films and biggest eyerolls of all time.

Army of Me

Offenders: Ayanami Rei (Neon Genesis Evangelion), Hank and Dean Venture (The Venture Bros.)

You get to have your corpse and eat it too. Or something like that. I suppose you could eat the corpse. The beauty of this convention is that it proffers all the joy of the bloody death (no escape hatch or faked allergy to honey) without requiring some hokey way to have a character drive Charon’s ferry in reverse. The character does die and does not come back from the dead…but you still get to enjoy their company. Why? Because some lovely figure (be it the writer or head of a government agency or both) had the foresight to store a few spare copies of this person just in case. This method also then invites all fun introspections on “What is a self?,” which intro to philosophy college students can gush over for hours!

Messiah Complex

Offenders: Neo (The Matrix), Aslan (The Chronicles of Narnia), Sailor Moon (Sailor Moon)


Word to the wise: if you find yourself in a world with superpowers (oh, let’s say the guy you’re with can leap over skyscrapers or you have a piece of enchanted lipstick that turns you into a pyrokinetic superheroine), you really should not be all that cautious when approaching the subject of your mortality. Honestly, you should just assume that shuffling loose this mortal coil is a pretty much akin to landing in jail in the early stages of Monopoly. It will be an inconvenience, but it’s not the end of the world (neither, for that matter, is the end of the world). This point is particularly salient if you were to find yourself dying because you were nobly sacrificing your life for the greater good. That’s a “get out of jail free” card right there. There’s no way you’re going to stay dead. None. You pretty much hit the jackpot in Pascal’s Wager and won not only the glory for being such a noble, good being, but also that precious little thing called life.

Only Mostly Dead

Offenders: Westley (The Princess Bride), Norman Osborn (Spider-Man), Morph (X-Men: The Animated Series)


They say that if there’s no body, there is no death. Well, sometimes, if there is a body, there’s still no death. As Miracle Max explains, there’s dead and there’s mostly dead. Mostly dead allows for the shock of the death and perhaps even the loss of a heart-beat/heart, but without the irritating finality of death. Mostly dead is very similar to “Fakin’ It” (in fact Norman does a little of both), but more often than not lacks the possibility of preplanning by the writer (with the exception of Westley) and is a frequent enough device that it deserves its own category.



I’m a Dark Lord. ‘Nuff said.

Offenders: Sauron (Lord of the Rings), Voldemort (Harry Potter), Dr. Doom (Fantastic Four), Megatron (Transformers)

Word to the wise part deux: beings of unimaginable evil and power always come back after their first death, even more evil and more powerful. If you and your friends have just defeated the Great Terror Lord of Gonthrax, you should not be celebrating. If anything, you should be even more worried! All you have accomplished is chaperoning your calamitous caterpillar into the pernicious pupa stage of his metamorphosis of malevolence (where he will then reemerge as a bloodthirsty butterfly)! Granted, I do not know what the implications of this fact are when applied to the best-selling novel, The New Testament, considering we have the death of a powerful being with multiple supporters, only to reemerge a few days later even more awe-inspiring. Maybe Jesus was actually the first Sauron. And all poor Judas wanted to do was pull a Peter Pettigrew and atone for his alliance with wickedness.



I know, I know…I just committed a mortal sin; I confused Harry Potter with Lord of the Rings.

We Don’t Need No Stinkin’ Explanations!

Offenders: Daffy Duck (Looney Tunes), the crew of Sealab (Sealab 2021), Action League Now! (Kablam!)

How does Daffy survive a gun-shot to the face (or a visit to Hell at the end of some episodes)? How does the Flesh reconstruct himself after being blended, run over by an SUV, exploded, crush by a block of concrete, etc.? How do the denizens of Sealab continuously survive the undersea holocaust and rebuild their home (and don’t say there is no continuity, because they reference past episodes)? WHO CARES?! Look at all the stupid explanations there are for characters coming back to life: Horcruxes, clones, lookalike twins, magical flowers, bullets that send people through time, cocoons at the bottom of the Atlantic Ocean – sometimes the best explanation is no explanation. You know what they say: if you don’t have anything half-credible to say, don’t say anything at all.

Hell-bent on Slaughter

Offenders: Michael Myers (Halloween), Jason (Friday the 13th), Freddy Kreuger (Nightmare on Elm Street)

This category is almost a subsection of Daffy’s category. Personally, I am not as well-versed on slasher movies as I should be; I’ve only seen the first one of each series. Of course, I have never really surmised that all that much energy is devoted to concocting reasons as to why that axe didn’t fully sever Michael’s head or how Jason survived the room of a thousand dynamites. All that matters is that these creatures have one reason to live: to exenterate the insides of every horny teenager on the planet. And, clearly, there are still horny teenagers out there. In fact, they’re multiplying in numbers! And sometimes this very increase in numbers is due to, you guessed it, horny teenagers! These guys can’t give up on their duty! They have a varsity-level commitment that I only wish I had back when I did track. Death to them is like a few broken bones to an Olympic gold medalist: enough of a reason to pause for a moment, but that’s it. Afterwards, they slap on some duct tape, grit their teeth, and continue the chase. And good for them!

(I can express such sentiments since, as a horny 23-year old, I’m pretty sure I’m exempt from their eviscerations)

I Had an Extra Guy!

Offenders: Pac-Man (Pac-Man), Mario (Super Mario Bros), Sonic the Hedgehog (Sonic the Hedgehog)

Man, wouldn’t the world be an interesting place if you had multiple deaths before you truly died? I know that The Onion did an investigation on the personal psychological implications of such a reality…but there is so much more. Would people sell their extra guys (or green mushrooms, etc.) in times of economic distress, leading the rich to become nigh-immortals? Or, in fact, would people be born with different amounts of extra lives, which in turn would decide their level in society?

Oh, the possibilities for anti-utopian novels are endless!

Lazy Writing/The Fans Demanded It/Cocoon in Ocean

Offenders: Hal Jordan (Green Lantern), Barry Allen (Flash), Bucky (Captain America)

Okay, so usually the writer will ultimately fall back on one of the aforementioned categories or a particularly special case of “cocoon in ocean” (yes, I already mentioned that, but it’s SO freakin’ stupid!). But some cases of resurrection are far more transparent than others. While I can half-buy into certain cases of averted death, there are points where the movie or telev – oh who am I kidding, comic book writer should just devote a few panels to his hand reaching into the grave and picking the dead character out of it before imbuing life back into him or her. Because, no, Barry Allen isn’t alive because of the Speed Force…that is unless Speed Force is “Geoff Johns wants it to be the Silver Age” in another language. What? Grant Morrison wrote that story? No, not believing it. Because, to be fair, Morrison is probably the only one who executed my suggestion. Seriously. Read Animal Man sometime.

It’s My Other Mutant Power

Offenders: Pretty much everyone who has every graced the pages of X-Men

I could pretty much populate this entire list with mutants. Fakin’ It? Yup, Magneto has done that so many times he should probably meet with Dr. Ruth. Clones? Uh-huh. Even if you’re an X-Men and aren’t Multiple Man, a cosmic, nigh-omnipotent deity will provide a few clones of you just to ensure you can die tragically and still come back to grace the shiny variant covers of issue 300. And don’t even get me started on the last category I just discussed.

I’m relatively certain by this point that one of the prerequisites for joining the X-Men is that the potential member in question has to have died at least once. That must be what X-Force, X-Factor, Generation X (oh, am I dating myself?), and all those other teams are force: acquainting the next class of mutants with the concept of their own mortality and their mortality’s mortality. The X-Men are the most elite group of mutants out there; they cannot be wasting their time dealing with death-virgins who actually get worried when a Sentinel beam fries Cyclops. Come on!





Did I miss any of your favorites?

Friday, 29 January 2010

Avatar's Gross!


I’m beginning to fear I may have to change the name of this blog to “Pop Culture Gone Avatar.”

This past week Avatar became the highest grossing film of all time. Quite a few of my friends and acquaintances (and maybe an enemy or two) have already posted Facebook statuses, Gchat statuses and a few Twitters lamenting this fact. All I can think is, “Why?”

Now, I’m not going to hide the fact that I liked Avatar. Was it the best movie of the year? No. I don’t think it even cracked my top ten, or if so, just barely. I mean, it was a Final Fantasy game. It had pretty simple characters, a plot that was as predictable as an episode of Sailor Moon, and all the ethical complexity of a morality play (“Hmm…should I do the good thing or the bad thing? Decisions, Decisions”). But damn, that movie was fun and pretty darn beautiful! And I tend to be a guy who ain’t all that impressed just by purty CGI. The last 30 minutes were just about everything I could want from a sci-fi action scene and the rest of it wasn’t too shabby.

That being said, I can understand why people didn’t like Avatar. The simplicity is a bit exhausting and the acting leaves quite a bit to be desired. In the end, it’s a dumb visual spectacle that’s delightful to munch popcorn over. [deep breath] JUST LIKE EVERY OTHER MOVIE IN THE TOP TWENTY GROSSING FILMS!

Let’s first look at the actual story: Avatar is the highest grossing film of all time. In the end, all that really is that it beat out Titanic. How can anyone who is not a teenage girl in 1997 be annoyed about that? All this means is that overblown one piece of James Cameron eye-candy with one-dimensional lovers and a paint-by-numbers plot has usurped the spot of another. Was Titanic really that much better of a film than Avatar? No? Okay, then you can’t really be all too upset over the fact it had to cede its throne to Avatar.

Honestly, I am quite happy over the coup. I never did like Titanic. Rose and Jack always seemed extraordinarily imbecilic and completely stolid to everything going on around them (except for the occasional bout of fervent panic). I waited with baited breath to see their stars cross and for the state of their affairs to sink below the murky depths. A melodrama does not work if the characters are utterly loathsome. Jake and Neytiri may not be characters crafted by the pen of Flaubert, but they at least got my sympathy. These recent developments simply mean that a slightly better variation on the same Cameroneon theme now holds the prior’s honor.

Of course, let’s pull back a bit. Maybe people are annoyed that Avatar has even cracked the top ten or top twenty. Maybe Titanic was as much of a fluke as Avatar. Without further ado then, I present the top 20 highest grossing films of all time, as listed on Wikipedia as of January 29, 2010.
1. Avatar (2009)
2. Titanic (1997)
3. The Lord of the Rings: The Return of the King (2003).
4. Pirates of the Caribbean: Dead Man's Chest (2006).
5. The Dark Knight (2008).
6. Harry Potter and the Sorcerer's Stone (2001).
7. Pirates of the Caribbean: At World's End (2007).
8. Harry Potter and the Order of the Phoenix (2007)
9. Harry Potter and the Half-Blood Prince (2009)
10. The Lord of the Rings: The Two Towers (2002)
11. Star Wars Episode I: The Phantom Menace (1999)
12. Shrek 2 (2002)
13. Jurassic Park (1993).
14. Harry Potter and the Goblet of Fire (2005).
15. Spider-Man 3 (2007).
16. Ice Age: Dawn of the Dinosaurs (2009).
17. Harry Potter and Chamber of Secrets (2002).
18. The Lord of the Rings: The Fellowship of the Ring (2001).
19. Finding Nemo (2003)
20. Star Wars Episode III: Revenge of the Sith (2005)

Let me state off the bat (pardon the pun) that there is no love lost between me and Dark Knight and I’ve always found Finding Nemo to be a rather anomalous creation: a Pixar movie that was just decent. Many would argue that these are diamonds in the rough (okay, is that a term or did Jafar coin that in Aladdin?), but I place Avatar above them without hesitation.

Now for the rest, in no order. The Pirates movies I have not been able to sit through and really have never bought into the Johnny Depp love (he’s good, but that’s it) and even the most stalwart fans are cold when it comes to the third member of the trilogy. The Harry Potter movies are tapestries of prosaic teen drama only livened up by spurts of life provided by Alan Rickman, Helena Bonham Carter, the DADA teacher of the year, and the girl who plays Luna. I do not know a soul in his or her right mind who will defend the prequels to Star Wars. I’ve never seen an Ice Age movie and hope to keep it that way. Shrek 2 I don’t remember a single thing about. I’ve always felt people were more invidious to Spider-Man 3 than they should have been, but still don’t think it was anything more than dumb (and a bit fabulous) popcorn fun.

So that leaves us with Jurassic Park (which is one of those movies everyone in the world has seen but me) and The Lord of the Rings trilogy. Okay, you got me there. The Lord of the Rings films are better than Avatar. But, even they are really well done action films where most of the characters are fairly simple. You have a few more developed personalities and better acting, but still, the situation is not like Avatar knocked The Godfather and Casablanca out of the way on its crawl to the top. Well, yes, it did, but much earlier on. And you can’t really fault it for that. I wonder if there’s a film that came out in most major theaters last year that grossed less than those gems.